Then
we return to the cabin and write and paint. Ed refines his poetry. I draw a
lot, working on ideas for here and also when I return to Oakland and have
larger canvases. I have a table in the cabin by a window where I paint for 4 or
6 hours.
I
also cook big meals of soup and pasta and quiches with eggs from the chickens
here. In the evening we walk down to the flats at the convergence of a couple
of rivers, a popular staging area for cruise excursions. There are four dogs
here who are always eager to escort us. Once they saw a van full of tourists
from a cruise ship and blocked it, barking, on the one lane bridge. I felt very
Alaskan. We are not in a van from a cruise ship. We are locals with dogs and
bear spray. We have been here one week, and we’ll be here three more.
Yosemite’s Gates
ED AUST
Yosemite’s gates are sealed for
good,
all visitors barred.
East of the park at Tioga Pass,
six cherubs block the entrance,
each with a flaming longsword
carved of glacier quartz.
At Hetch Hetchy on the western side,
seventy bison clog the road,
shaggy heads low and silent,
daring to be challenged.
At Big Oak Flat a granite boulder,
round as the moon over Half Dome,
rolled down a cliff on Christmas Eve
and plugs the asphalt passage.
Don’t even bother with the Arch Rock
entrance
on El Portal Road at Foresta
where a great woolly mammoth
rubs its sweeping tusks
against the granite blocks,
having emerged, they say,
from a Badger Pass blizzard.
South Entrance appears deceptively
open
though witnesses tell of the
presence of ghosts
in the shape of leaping bighorns.
As for the thousands stuck inside,
news is sparse; electricity is out,
the trails are full of bears.
This much we know: a woman gave
birth
to a child who floats when given the
breast
and who laughs at the sight of the
moon.
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